The setting is the never-ending war between the police and the Triads of Hong Kong. Chan is a cop who's been assigned to undercover work inside the Triads for so long that he's been able to rise through the ranks to a position of some authority. Lau, meanwhile, is a secret member of the Triads who has infiltrated the police force with an equal level of success. As they feed their bosses information on the plans and counter-plans of the organizations they pretend to serve, they both begin to feel the stresses of their double lives as they become torn between the oppressive obligations they owe to their superiors and the growing camaraderie they share with the foot soldiers around them. As the two organizations become increasingly aware of the moles in their midsts, the race is on for Chan and Lau to try and get out of the game alive.
The Universal Production film series beginning with 'The Invisible Man' in 1933 and followed by four sequels up to 1944.
A series of dance films centered around ambitious New Yorker Tony Manero.
Коллекция фильмов, снятая по рассказам Стивена Кинга.
Herbie is an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front trunk lid, doors, and engine lid, and a yellow-on-black '63 California license plate that says, "OFP 857". One exception to this is his introduction in The Love Bug, where he initially appears as a nondescript white vehicle with a gray colored fabric sunroof (a.k.a. "ragtop"), the style of sunroof offered on VW Beetles made through 1963.
It was the dawn of the Third Age of Mankind, ten years after the Earth-Minbari War. The Babylon Project was a dream given form. Its goal: to prevent another war by creating a place where Humans and aliens could work out their differences peacefully. It's a port of call – home away from home for diplomats, hustlers, entrepreneurs, and wanderers. Humans and aliens wrapped in two million, five-hundred thousand tons of spinning metal, all alone in the night. It can be a dangerous place, but it's our last best hope for peace. This is the story of the last of the Babylon stations. The year is 2258. The name of the place is Babylon 5.
The series came about as a dispute between John A. Russo and George A. Romero over how to handle sequels to their 1968 film, Night of the Living Dead. The two reached a settlement wherein Romero's sequels would be referred to as the Dead movies, and Russo's sequels would bear the suffix Living Dead.
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